Clarinetist Anat Cohen is one of a handful of Israeli jazz musicians making a mark on the American jazz scene. She's been voted Clarinetist of the Year six years in a row by the Jazz Journalists Association, and her most recent album, Claroscuro, showcases the range of her talents and musical influences, from New Orleans-style jazz to Israel to Latin music — particularly that of Brazil.
Cohen says that the clarinet's somewhat old-fashioned reputation may be the result of the very thing that attracts her to the instrument.
The Irish novelist John McGahern once remarked that his country stayed a 19th-century society for so long that it nearly missed the 20th century. But in the mid-1990s, Ireland's economy took off, turning the country from a poor backwater into a so-called Celtic Tiger with fancy restaurants, chrome-clad shops and soaring real estate values. The country was transformed — until things came tumbling down during the 2008 financial crisis.
For her latest album, Broadway soprano Rebecca Luker brings her live show — featuring songs by legendary theater composer Jerome Kern, recorded at the Manhattan club 54 Below — to the recording studio. The album, I Got Love: Songs of Jerome Kern, features 14 tracks and classics ranging from "Bill/Can't Help Loving That Man" to "My Husband's First Wife."
Jackie, Lynn and Sue — pictured here at age 7 — are three of the children featured in the landmark 1964 documentary 7 Up. The series returns this year with 56 Up, checking in with a group of 14 men and women whose lives have been documented since they were kids.
Credit Murray Close / Bristol Bay Productions, LLC
Michael Apted, the director of the Up series, also directed the James Bond film The World Is Not Enough.
Every seven years since 1964, in what's known as the Up series, Granada Television has caught us up on the lives of 14 everyday people. The subjects of the documentary series were 7 years old when it began; in the latest installment, 56 Up, they are well into middle age.
The original idea behind the series was to examine the realities of the British class system at a time when the culture was experiencing extraordinary upheaval.
In her new book, Sugar in the Blood, Andrea Stuart weaves her family story around the history of slavery and sugar in Barbados. Stuart's great-great-great-great-great-great-great-great-grandfather landed on the island in the 1630s. He had been a blacksmith in England, but became a sugar planter in Barbados, at a time when demand for the crop was exploding worldwide. Stuart is descended from a slave owner who, several generations after the family landed in Barbados, had relations with an unknown slave.
Yo La Tengo wouldn't seem to be very rock 'n' roll, given that it's a very stable and long-lasting operation. Since 1991, the lineup has consisted of a married couple — drummer Georgia Hubley and guitarist Ira Kaplan, along with bassist James McNew — and all three play additional instruments as needed. Yo La Tengo has been with the same label, Matador, since 1993. But if the band lacks rock dramatics, I would argue that it knows as much about the modes and manners of rock 'n' roll as anyone who has ever played the music.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
The Oscar-nominated documentary The Gatekeepers centers on Israel's occupation of the West Bank and Gaza Strip, but from an unusual vantage — not the Palestinians or Israelis on the ground, but six men at the pinnacle of the country's security apparatus: the former heads of the security agency Shin Bet.
Today the Glock pistol has become the gun of choice for both criminals and law enforcement in the United States.
In his book Glock: The Rise of America's Gun, which came out in paperback in January, Paul Barrett traces how the sleek, high-capacity Austrian weapon found its way into Hollywood films and rap lyrics, not to mention two-thirds of all U.S. police departments.
On a new box set collecting the first four albums of Jack DeJohnette and his band Special Edition, two discs are gems and the other two have their moments. DeJohnette's quartet-slash-quintet was fronted by smoking saxophonists on the way up, set loose on catchy riffs and melodies. The springy rhythm section could tweak the tempos like no one this side of '60s goddess Laura Nyro.