Kat Chow

Kat Chow is a journalist covering race, ethnicity, and culture for NPR's new Code Switch team. In this role, Chow is responsible for reporting and telling stories using social media, sparking conversations online, and blogging.

Prior to coming to NPR, Chow worked with WGBH in Boston and was a reporting fellow for The Cambodia Daily, an English-language newspaper in Phnom Penh.

While a student at the University of Washington in Seattle, Chow was a founding member of a newsmagazine television show and freelanced for the Seattle Weekly. She also interned with the Seattle Times and worked on NBC's Winter Olympics coverage in Vancouver, B.C. You can find her tweeting away for Code Switch at @NPRCodeSwitch, and sharing her thoughts at @katchow.

Grace Lee Boggs, who has spent much of her life advocating for civil rights and labor rights, became such a noted figure in Detroit's Black Power movement that people assumed she must be partially black. In some of her FBI files, Boggs, who is Chinese-American, was described as "probably Afro Chinese."

(We'll let that sit with you for a moment.)

And that's not the only assumption she's defied. For almost a century — she turned 100 Saturday — she's challenged how people think about their own activism.

There's a long history to the Emanuel African Methodist Espiscopal Church in Charleston, S.C., — affectionately known as "Mother Emanuel" — where nine churchgoers were allegedly shot and killed by 21-year-old Dylann Roof on Wednesday night in what authorities are calling a hate crime. In fact, this church has become a revered symbol of black resistance to slavery and racism.

Today on Code Switch, writer and critic Roxane Gay, who's a favorite of ours, writes about the problem of all-white recommended readings lists.

On Sunday, five St. Louis Rams players jogged onto the field with their arms raised by their heads, a stream of fog behind them: hands up, don't shoot.

The players — Tavon Austin, Kenny Britt, Jared Cook, Chris Givens and Stedman Bailey — were invoking the gesture that's been widely used in protesting the shooting death of 18-year-old Michael Brown by police officer Darren Wilson. This followed the announcement that a grand jury would not indict Wilson in Brown's death, and the release of a hefty batch of evidence shown to the jury by St. Louis prosecutor Robert McCullough.

This past week, we called for stories about your first Thanksgiving in the United States. Who'd you spend it with? Where were you coming from? What'd you eat? What'd you think of it? we wondered.

And many of the stories we heard from you were about food: You had issues roasting the turkey properly. Your mom found, um, a creative solution to making your bird golden-brown. You ate a lot of different alternative Thanksgiving meals. Your stories were goofy and weird, but most of them made us smile. Here are some of them:

Leticia Ortiz

On Monday night, St. Louis County prosecutor Robert McCulloch delivered the news that police officer Darren Wilson would not be indicted in the shooting death of Michael Brown. And in an unusual move, the announcement was accompanied by the release of an enormous batch of evidence presented to the grand jury — including much-talked-about photos of Wilson, taken after he shot and killed Brown.

In our semi-regular Word Watch feature, we take a look at a word or phrase that has caught our attention, whether for its history, usage, etymology, or just because it has an interesting story.

This is the second half of a look at the history and motivations behind the Asian blepharoplasty, popularly known as "double-eyelid surgery." On Monday, we dug into its background and some of its history. Today, we'll explore the "why."

A lot of assumptions are made about why people undergo double-eyelid surgery. Assumptions like: They wanted to look more white, or they wanted to look less Asian.