Fresh Air Weekend highlights some of the best interviews and reviews from past weeks and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
While his Office character always took himself seriously, actor Rainn Wilson seems to be all about the laughs. For the entirety of the series, Wilson has played beet-farming, archery-loving middle-management kook Dwight Schrute on the NBC hit television series.
For nearly a decade, Jenna Fischer has played Pam, one of The Office's most recognizably real characters.
If you've ever worked in a clerical position in an alienating office, you'll relate to what Pam goes through. In this interview, Fischer tells Terry Gross about creating all those pained looks and knowing smiles — and about how her five years as an office temp helped to prepare her for the role.
"How angry am I? You don't want to know. Nobody wants to know." Those are the opening lines of Claire Messud's new novel, The Woman Upstairs. The novel is about a single woman, Nora, who hasn't fulfilled her dreams of being an artist and having children. Nora's plight is complicated when she befriends a woman who has done both.
Christopher Guest, co-creator with Jim Piddock of the new HBO comedy series Family Tree, obviously is having a good time making this show — and it's contagious. It's several shows in one, and every element is a self-assured little delight.
Ray Harryhausen, who died Tuesday in London at age 92, became fascinated with animation after seeing King Kong in 1933. He went on to create some of the most memorable monsters of old Hollywood, from dinosaurs to mythological creatures.
His monsters, however, were never completely divorced from the real world.
On July 21, 2010, President Obama signed into law the Wall Street Reform and Consumer Protection Act, commonly known as the Dodd-Frank bill. Reporter Gary Rivlin says "the passage of Dodd-Frank was something of a miracle." But to the chief lobbyist for the Financial Services Roundtable, a lobbying group that represents 100 of the country's largest financial institutions, it was just "halftime."
Natalie Maines doesn't hesitate to make audacious moves, and wresting away "Mother" — Roger Waters' hymn to oppressive maternal authority figures from Pink Floyd — is the biggest one on her first solo album. Maines takes the "Mother" from Pink Floyd's The Wall and deconstructs it, emotional brick by emotional brick.
Patricia Volk's mother was beautiful in a way that stopped people on the street. Strangers compared her to Lana Turner and Grace Kelly. She was stylish and vain: Her beauty and its preservation mattered to her. "She had an icy blond beauty, an imperious kind of beauty," Volk tells Fresh Air's Terry Gross.