Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.
This interview was originally broadcast on September 19, 2011. Breaking Bad begins its fifth season on Sunday, July 15th at 10 PM EST.
Vince Gilligan's AMC drama Breaking Bad stars Bryan Cranston as a high school chemistry teacher named Walter White who turns to dealing drugs after being diagnosed with a terminal illness. White's partner-in-crime throughout the series is his former student Jesse Pinkman, played by actor Aaron Paul.
Sarah Steele, Anna Paquin and Matthew Broderick in Margaret. The DVD release of Kenneth Lonergan's long-delayed second film includes the theatrical version and an extended 186-minute cut.
Credit Fox Searchlight Pictures
Mark Ruffalo, who along with Broderick acted in Lonergan's breakout first film, You Can Count on Me, is part of an ensemble cast that also includes Matt Damon and Rosemarie DeWitt.
"A fiasco with a great first half" is what I called Kenneth Lonergan's Margaret when it was dumped in one New York theater last fall, five years after it was shot, amid a legal battle between Lonergan and a producer.
Lots of people know Woody Guthrie's classic 1940 ballad "This Land Is Your Land," but the story behind the tune may not be as familiar.
Guthrie, who would have turned 100 this week, wrote "This Land" as a response to Irving Berlin's "God Bless America," a song he felt was overly patriotic and not directed at ordinary Americans like himself.
If you only knew about America from watching TV, the last few months might lead you to think that women here wield enormous political power. First you had Game Change, the story of Sarah Palin's attempt to become vice president. Then you had Veep, in which Julia Louis-Dreyfus's character has accomplished just that. Now comes Political Animals, a new USA network series about a strong female secretary of state who I suspect even a Martian would realize is based on Hillary Clinton.
As a competitive swimmer, David McGlynn won the 500-yard freestyle at the 2001 United States Masters National Championships. He is also the author of the story collection The End of the Straight and Narrow.
Many of the key scenes in David McGlynn's striking new memoir, A Door in the Ocean, take place at the beach or in swimming pools. McGlynn was a surfer and competitive swimmer in his school days and still squeezes into his Speedos for races like the annual 5K "Gatorman" off the coast of La Jolla, Calif. Ocean swimming, in particular, transports McGlynn to another realm, and he does a terrific job of dramatizing the allure of solitary swims in open water. Midway through his book, he writes:
Kenneth Lonergan's critically acclaimed film Margaret was completed in 2006, but because of several lawsuits, it wasn't released until last year.
Called "nothing short of a masterwork" by The New Yorker, the film stars Anna Paquin as Lisa, a Manhattan teenager who tries to make sense of a bus accident she may have caused — one that resulted in a woman's death. Lonergan tells Terry Gross that he wrote the film because he was interested in how teenagers transition into an adult world.
Afghan army soldiers, like the one pictured here, will be responsible for protecting Kabul and holding critical cities and roads together after the planned 2014 American troop withdrawal.
This past weekend brought news of more violence in Afghanistan.
Seven Western troops, five Afghan police officers and at least 18 civilians were killed in Afghanistan. The toll included six Americans killed by a single bomb in Wardak province, south of Kabul.
Originally published on Tue July 10, 2012 12:25 pm
Facing Bach's St. Matthew Passion, I often feel a combination of anticipation and dread. It's a great work, profound in its humanity and spirituality, with sublimely beautiful music. But it's a long haul, and if it's not a good performance, well, I'm stuck. And it can be not-good in various ways: either too solemnly pious or too much an exercise in musical style rather than emotional drama. A new DVD recorded in 2010 at Berlin's great concert hall, the Philharmonie, would be of major interest under any circumstances.