Some years back, I was driving across the South with a German friend, leaving early Sunday morning from Athens, Ga., and heading to Louisiana. I turned on the radio and found a black church service in progress, and a woman with a remarkable voice singing. "Who's that?" my friend asked. I told him I had no idea. "But with a voice like that, she must be famous," he said. Some miles down the road, when the station had faded out, he still didn't believe me.
Terence Davies' films aim for and often achieve a state of music, the camerawork in harmony with the soundtrack, the images connected by emotion rather than narrative.
Adapting Terence Rattigan's 1952 play The Deep Blue Sea, he throws out the drama's tidy structure and much of the dialogue, and shows the events through the eyes of the adulterous Lady Hester Collyer, played by Rachel Weisz.
Lionel Shriver's new novel, called The New Republic, is actually an old manuscript with a star-crossed history. As Shriver explains in a prefatory note, this satire on (among other things) terrorism was finished in 1998, but, back then, publishers weren't interested. That was five years before Shriver's break-through novel, We Need to Talk About Kevin. Then, Sept. 11 happened: sincerity was in; irony was out. Publishers wouldn't touch this story that offered an ironic take on violent extremism.
The callow croon over a pulsating beat, the massed harmonies in the chorus, the lyrics about partying that name-check Katy Perry and include a wistful wish for a nameless girl to kiss the singer — this is boy-band music at its newest and its most timeless. The five young guys who comprise One Direction are single-minded.
Aziz Ansari is about to hit the road. The 29-year-old comedian and star of Parks and Recreation is embarking on a multicity comedy tour, where he'll be riffing on what he calls the "fears of adulthood."
The biggest female box-office star in Hollywood history, Doris Day started singing and dancing when she was a teenager, and made her first film when she was 24. After nearly 40 movies, she walked away from that part of her life in 1968, and started rescuing and caring for animals.
AMC's The Killing started strong, with raves from critics and an impressively loyal core of viewers. But in the final episode of the year, when it left its season-long murder mystery intentionally unresolved, most fans felt angry, even betrayed. HBO's Game of Thrones, on the other hand, took a bit longer to get established, and to get as much attention. But thanks to some strong performances and a few bold strokes of plot, Game of Thrones — based on the George R. R.
This interview was originally broadcast on May 23, 1988.
Writer Harry Crews had a hard life and didn't made it any easier for the characters in his novels. He died Wednesday at age 76.
Crews' novels were filled with freaks and losers with unusual gifts. In Naked in Garden Hills, there was the 600-pound man with a penchant for dietary supplements. The Gospel Singer featured lunatics and carnival characters. Car showcased a man who literally ate a Ford Maverick, several ounces at a time.
When Paul McCartney was a little boy, he always looked forward to New Year's Eve — the biggest social event of the year in Liverpool.
"The family would all gather, my dad was the pianist, and ... drinks would appear and people would start singing," he tells Fresh Air's Terry Gross. "And apparently never stop until we all ran out for New Year's."