Maureen Corrigan

Maureen Corrigan, book critic for NPR's Fresh Air, is a critic-in-residence and lecturer at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America.

Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. So We Read On, her forthcoming book on the extraordinary "second act" of The Great Gatsby, will be published by Little, Brown in September 2014.

Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.

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Book Reviews
1:50 pm
Thu October 11, 2012

'May We Be Forgiven': A Story Of Second Chances

Viking Adult

Originally published on Thu October 11, 2012 4:58 pm

A.M. Homes is a writer I'll pretty much follow anywhere because she's indeed so smart, it's scary; yet she's not without heart. It's been a while since her last book, the 2007 memoir The Mistress's Daughter, which is certainly the sharpest and most emotionally complex account of growing up adopted that I've ever read.

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Book Reviews
11:55 am
Thu October 4, 2012

Roving Eyes, Wandering Hands In 'How You Lose Her'

Riverhead Books

Originally published on Thu October 4, 2012 3:58 pm

Ay-yi-yi, what is it with these Dominican men? Their hands — and eyes — never stop roving, even as they're slipping engagement rings on their true loves' fingers.

If that sounds like negative stereotyping, don't complain to me: I'm just passing along the collective cultural verdict of the women and men, most of them themselves Dominican, who hustle through Junot Diaz's latest short story collection, This Is How You Lose Her. A good man is hard to find in these stories, and when you do find him, he's always in bed with someone else.

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Book Reviews
1:04 pm
Tue September 25, 2012

A Lifetime Of Love In 'My Husband And My Wives'

Farrar, Straus & Giroux

Originally published on Tue September 25, 2012 1:58 pm

Given the glut of autobiographies, a provocative subject alone isn't enough to snag a reader's attention, although, admittedly, the title of Charles Rowan Beye's new memoir, My Husband and My Wives, is certainly arresting. It's Beye's charming raconteur's voice, however, and his refusal to bend anecdotes into the expected "lessons" that really make this memoir such a knockout.

Beye won me over in his "Introduction" when he admitted that, looking back at the long span of his life — he's now over 80 — the big question he still asks himself is, "What was that all about?"

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Book Reviews
1:35 pm
Wed September 19, 2012

'Life Of Objects' Tells A Cautionary WWII Fairy Tale

Knopf

Originally published on Thu September 20, 2012 11:25 am

Susanna Moore's latest novel, The Life of Objects, is a slim World War II saga that reads like a cautionary fairy tale: It's packed with descriptions of ornate furniture and paintings, lavish banquets, demons and diamonds. At the center of the story is a young girl bewitched by her own desire to live a larger life, a wish that's granted with grim exactitude.

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Book Reviews
2:02 pm
Wed September 12, 2012

'The Scientists': A Father's Lie And A Family's Legacy

Originally published on Wed September 12, 2012 3:20 pm

Every New York story ever written or filmed falls into one of two categories. The first — like Betty Smith's A Tree Grows in Brooklyn, or the musical On the Town — regards New York as the representative American city, a jam-packed distillation of the country's dreams and nightmares. The second group views New York as a foreign place — a city off the coast of the U.S. mainland that somehow drifted away from Paris or Mars. Think every Manhattan movie ever made by Woody Allen.

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Book Reviews
3:37 pm
Wed September 5, 2012

Was Zadie Smith's Novel 'NW' Worth The Wait?

British author Zadie Smith in 2005.
Sergio Dionisio AP

Zadie Smith wrote her last novel On Beauty seven years ago — a long time in the anxious world of publishing. Her new novel NW was released in the U.S. on Monday. Critic Maureen Corrigan asks: Was it worth the wait?

Copyright 2012 National Public Radio. To see more, visit http://www.npr.org/.

Book Reviews
12:27 pm
Mon August 27, 2012

In 'The Brontes,' New Details Of Family's 'Strange World'

Originally published on Mon August 27, 2012 3:13 pm

In the new, updated edition of her landmark biography The Brontes, Juliet Barker tells a sad story about Branwell, the infamous brother of Charlotte, Emily and Anne.

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Book Reviews
2:01 pm
Tue August 7, 2012

'Dreamland': Open Your Eyes To The Science Of Sleep

iStockphoto.com

Originally published on Tue August 7, 2012 2:06 pm

Step, if you will, into my bedroom at night. (Don't worry, this is a PG-rated invitation.) At first, all is tranquil: My husband and I, exhausted by our day's labors, slumber, comatose, in our double bed. But, somewhere around 2 a.m., things begin to go bump in the night. My husband's body starts twitching, like Frankenstein's monster receiving his first animating shocks of electricity. Thrashing about, he'll kick me and steal the covers. In his dreams, he's always fighting or being chased; one night he said he dreamt Dick Cheney was gaining on him.

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Book Reviews
1:20 pm
Thu August 2, 2012

A Moody Tale Of Murder In A 'Broken' Dublin Suburb

Broken window.
iStockphoto.com

Originally published on Thu August 2, 2012 4:18 pm

Mid-20th-century mystery master Ross MacDonald is credited with moving hard-boiled crime off the mean streets of American cities and smack into the suburbs. In MacDonald's mythical California town of Santa Teresa, modeled on Santa Barbara, evil noses its way into gated communities, schools and shopping centers that have been built expressly to escape the dirt and danger of the city.

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Book Reviews
10:40 am
Thu July 19, 2012

A Little Advice On 'How To Be A Woman'

iStockphoto.com

Originally published on Thu July 19, 2012 12:03 pm

Funny feminists should never die; there are too few of them who've gained any cultural prominence in the first place. That's why Nora Ephron's death earlier this summer flattened me, even though I hadn't read her in a while and had mixed feelings about the whole "I Feel Bad About My Neck," self-flagellation routine. Still, she made me laugh at the same time she often made me think: I wanted her playing on Team Feminist forever.

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