Maureen Corrigan

Maureen Corrigan, book critic for NPR's Fresh Air, is a critic-in-residence and lecturer at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America.

Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. Her book So We Read On: How The Great Gatsby Came To Be and Why It Endures was published by Little, Brown in September 2014 (paperback forthcoming May 2015). Corrigan is represented by Trinity Ray at The Tuesday Lecture Agency: trinity@tuesdayagency.com

Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.

Since it opened in 1911, the building has become a New York City landmark, praised not only for its beauty but also for its functional brilliance. In the words of one contemporary architect, the main branch of The New York Public Library at Fifth Avenue and 42nd Street is "a perfect machine for reading." The grand Reading Room sits atop seven levels of iron and steel books stacks whose contents could, at one time, be delivered to anybody who requested a book within a matter of minutes via a small elevator. Those stacks also support the floor of the Reading Room above.

The initial "selling point" of Mia Alvar's debut short story collection, In the Country, is its fresh subject matter: namely, Filipinos living under martial law in the 1970s in their own country and in exile, working as maids, engineers, teachers, health care workers and hired hands in the Middle East and the United States.

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DAVE DAVIES, HOST:

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TERRY GROSS, HOST:

This is FRESH AIR. Travel near and far, literary souvenirs and the cruise ship companionship of an animal are the subjects of the novels and works of nonfiction on Maureen Corrigan's list of early summer book recommendations.

No, it's not a posthumously published mystery novel by the late, great composer and conductor. Rather, Death by Pastrami by Leonard S. Bernstein is a collection of short stories mostly about life in the garment district of New York City. This Leonard Bernstein knows whereof he writes: He owned and managed a garment factory; now, in his 80s, he's published his first work of fiction, making him a veritable Grandma Moses of the garment district.

For this year's Best Books of the Year list, I reject the tyranny of the decimal system. Some years it's simply more than 10. Here, then, are my top 12 books of 2014. All of the disparate books on my list contain characters, scenes or voices that linger long past the last page of their stories. In fact, The Empire of Necessity by Greg Grandin, which is my pick for Book of the Year, came out in January and I haven't stopped thinking about it since.

Expect to be good for nothing for a long time after you read Ron Rash. His writing is powerful, stripped down and very still: It takes you to a land apart, psychologically and geographically, since his fiction is set in Appalachia.

Many years ago, Laurie Colwin began an essay she wrote about the magic of roast chicken like this: "There is nothing like roast chicken. It is helpful and agreeable, the perfect dish no matter what the circumstances. Elegant or homey, a dish for a dinner party or a family supper, it will not let you down." Substitute the phrase "Laurie Colwin's writing" for the words "roast chicken," take some poetic allowances with the word "dish," and you'll have an approximate description of Colwin's own elusive magic.

It's such a goofy title. Let Me Be Frank with You is the latest installment in the odyssey of Frank Bascombe, the New Jersey Everyman Richard Ford introduced almost 30 years ago in his novel, The Sportswriter. Two more Frank Bascombe novels followed, and now this: a brilliant collection of four interconnected short stories of about 60 pages each in which Ford is indeed "being Frank" Bascombe with us once again, as well as being "frank" about all sorts of touchy topics in America, such as race, politics, the economy, old age and the oblivion that awaits us all.

The disaster began on a day shift around lunchtime at a mine in Chile's Atacama Desert: Miners working deep inside a mountain, excavating for copper, gold and other minerals, started feeling vibrations. Suddenly, there was a massive explosion and the passageways of the mine filled up with a gritty dust cloud.

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